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  • NSAR5coverLR

    This fifth volume in the New South African Review series takes as its starting point the shock wave emanating from the events at Marikana on 16 August 2012 and how it has reverberated throughout politics and society. ...

    More about: New South African Review 5
  • Kroonstad cover hires

    Place of Thorns: Black Political Protest in Kroonstad since 1976, is a landmark study that examines the tumultuous and often fractious politics in Kroonstad’s black townships. In spite of the town’s relative obscurity, the author demonstrates a rich tradition of civic and political life in its townships and provides a persuasive explanation for the violence unleashed in the 1990s after decade ...

    More about: Place of Thorns
  • Fanon_cover_design hires

    Fanon was a political radical concerned with the human, social, and cultural consequences of decolonization. He is best known for his books The Wretched of the Earth and Black Skin, White Masks. Working from his own translations of the original French texts, Gordon critically engages in What Fanon Said everything in Fanon from dialectics, ethics, existentialism, and humanism to philosophical anthr ...

    More about: What Fanon Said
  • the colour of our future HIGHRES

    The Colour of Our Future makes a bold and ambitious contribution to the discourse on race. It addresses the tension between the promise of a post-racial society and the persistence of racialised identities in South Africa, which has historically played itself out in debates between the ‘I don’t see race’ of non-racialism and the ‘I’m proud to be black’ of black consciousness. ...

    More about: The Colour of Our Future
  • Gaze cover final

    Gaze Regimes is a bricolage of essays and interviews showcasing the experiences of women working in film, either directly as practitioners or in other areas such as curators, festival programme directors or fundraisers. It does not shy away from questioning the relations of power in the practice of filmmaking and the power invested in the gaze itself. Who is looking and who is being looked at, wh ...

    More about: Gaze Regimes
  • Print

    The Universal Church of the Kingdom of God (UCKG), a church of Brazilian origin, has been enormously successful in establishing branches and attracting followers in post-apartheid South Africa. As an ethnography of people rather than of institutions, this book offers fresh insights into the mass Pentecostal Charismatic Churches movement that has swept across Africa since the early 1990s. ...

    More about: A Church of Strangers
  • postcolony Final

    First published in 2001, Achille Mbembe’s landmark book, On the Postcolony, continues to renew our understanding of power and subjectivity in Africa. This edition has been updated with a foreword by professor of African Literature, Isabel Hofmeyr, and a preface by the author. ...

    More about: On the Postcolony
  • Termites

    Siyakha Mguni narrates his personal journey, over many years, to discover the significance of a hitherto enigmatic theme in San rock paintings known as ‘formlings’. Formlings are a painting category found across the southern African region, including South Africa, Namibia and Zimbabwe, with its densest concentration in the Matopo Hills, Zimbabwe. ...

    More about: Termites of the Gods
  • Money from Nothing by Deborah James

    South Africa’s national project of financial inclusion aims to extend credit to black South Africans as a critical aspect of abolishing apartheid’s legacy. Money from Nothing explores the contradictory dynamics inherent in this project, and captures the lived experience of indebtedness for many millions who attempt to improve their positions (or merely sustain existing livelihoods) in this com ...

    More about: Money from Nothing

    With her earliest work, Penny Siopis established herself as one of the most talented and challenging visual artists in and beyond South Africa. Penny Siopis: Time and Again engages in a variety of ways with her work of the past thirty-fi ve years. A conversation between the artist and the editor, Gerrit Olivier, unfolds throughout the book, giving the reader fascinating insights into her working m ...

    More about: Penny Siopis


Kroonstad cover hires

Wits University Press and the History Workshop (Wits) invite you to the launch of PLACE OF THORNS- Black Political Protest in Kroonstad since 1976 by Tshepo Moloi

Friday, August 28th, 2015

Tshepo Moloi will be in discussion with Clive Glaser, Professor of History at Wits, and David Lebethe, lawyer and founding member of the branch of the South African Student Movement at Bodibeng High, in Kroonstad, in 1973. WHEN Wednesday 2 September 2015, 17:30 for 18:00 WHERE Cafe Fino – Restaurant at Origins Centre, Wits University Yale Rd, Braamfontein. […]

postcolony Final

South Africa’s Fanonian Moment – Achille Mbembe to talk at University of Pretoria

Thursday, August 13th, 2015

You are cordially invited to the Department of Sociology, University of Pretoria Prof Achille Mbembe from the Wits Institute for Social and Economic Research, Wits wil speak on South Africa’s Fanonian Moment Copies of ‘On the postcolony’ will be available for sale on the day of the seminar. R250 will get you a copy which […]


Join Ilana van Wyk for the Launch of her book, A Church of Strangers: The Universal Church of the Kingdom of God in South Africa

Thursday, August 13th, 2015

Join Ilana van Wyk for the Launch of her book, A Church of Strangers: The Universal Church of the Kingdom of God in South Africa at the University of Cape Town. The launch, which is being hosted by HUMA, will be on Wednesday, 19 August, from 1 to 2:30 PM. Van Wyk will be speaking […]

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