Print, Text and Book Cultures in South Africa
Contributor(s): Andrew van der Vlies, Archie L. Dick, Bronwyn Law-Viljoen, Deborah Seddon, Elizabeth le Roux, Foe Jarad Zimbler, Hedley Twidle, Isabel Hofmeyr, Jeff Opland, John Gouws, Leon de Kock, Lily Saint, Lize Kriel, Lucy Valerie Graham, Margriet van der Waal, Meg Samuelson, Natasha Distiller, Patrick Denman Flanery, Peter D. McDonald, Rita Barnard, Sarah Nuttall
- Publication Date: 2012
- Dimensions and Pages: 240 x 170 mm, 416pp
- EAN: 9781868145669
- Rights: World
- Recommended Price (ZAR): 100.00
- Recommended Price (USD): 39.95
Print, Text and Book Cultures in South Africa is a field-defining contribution to the country’s literary scholarship. Andrew van der Vlies’s introductory essay maps the conceptual terrain in a systematic and engaging way, illustrating its relevance to South Africa’s literary and cultural history. The essays that follow demonstrate the archival richness and liveliness of the field, while opening doors to future research. Beyond South Africa, the book will be exemplary in showing how book histories develop under postcolonial conditions.
— David Attwell, author of J.M. Coetzee: South Africa and the Politics of Writing (1993) and Rewriting Modernity: Studies in Black South African Literary History (2005), and co-editor of The Cambridge History of South African Literature (2012)
This book explores the power of print and the politics of the book in South Africa from a range of disciplinary perspectives—historical, bibliographic, literary-critical, sociological, and cultural studies. The essays collected here, by leading international scholars, address a range of topics as varied as: the role of print cultures in contests over the nature of the colonial public sphere in the nineteenth century; orthography; iimbongi, orature and the canon; book- collecting and libraries; print and transnationalism; Indian Ocean cosmopolitanisms; books in war; how the fates of South African texts, locally and globally, have been affected by their material instantiations; photocomics and other ephemera; censorship, during and after apartheid; books about art and books as art; local academic publishing; and the challenge of ‘book history’ for literary and cultural criticism in contemporary South Africa.